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Mike Dunn at Folk Yeah Vol. 4
THIS LITTLE UNDERGROUND
Folk Yeah Vol. 4, Will’s Pub/Lil Indies, Nov. 29
In its fourth year,
Mike Dunn’s burgeoning annual songwriter festival
Folk Yeah has officially gone from good to great. And opening night was a vibrant mix of local stars, choice imported talent and fresh new faces.
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Zach Williams at Folk Yeah Vol. 4
Among the out-of-state acts, there were even some national-level names, a growing feature of Folk Yeah as it gets bigger. The most high-profile was
Zach Williams, lead singer of the
Lone Bellow, who delivered a quietly stirring blend of blues, folk and pop. Others included Nashville’s
Erica Blinn, whose red, white and blue-blooded rock & roll I caught earlier this year at
Thomas Wynn’s own great weekly songwriter gathering the
Circle, detailed
here. And Dallas-bred musician
Joel Adam Russell wove Americana with a quivering rasp that threads a nice, plaintive needle between heart and grain.
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Erica Blinn at Folk Yeah Vol. 4
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Joel Adam Russell at Folk Yeah Vol. 4
As nice and necessary as the national infusion was for a blooming festival, though, our
native acts actually provided most of the night’s splendor, with some of the Floridian discoveries shining particularly bright.
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Terri Binion and Mike Dunn at Folk Yeah Vol. 4
One such case was young Ocala band the
States. With a sound as indie as it is Americana, they build slow-burning anthems of towering tenderness with drama and scale that can crest up to two drummers.
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The States at Folk Yeah Vol. 4
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Terri Binion at Folk Yeah Vol. 4
But even among big area names that came deluxe like
Terri Binion, Cat Ridgeway & the Tourists and the
502s, one of the evening’s most arresting acts was one of the quietest. Under the moniker the
Careful Ones, Lakeland songwriter
Joshua Robinson waxed tender with a solo set of soul-stroked folk-pop. It was the most delicate performance I saw, but it was done in the night’s
purest, most striking voice, a model of singing that’s utterly angelic.
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The Careful Ones at Folk Yeah Vol. 4
Here, the music is always first. But at the peril of sounding like an interior design piece for a minute, the
atmosphere at this year’s Folk Yeah deserves its own ovation.
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Folk Yeah Vol. 4
Mike Dunn has truly been ripening as a
visual artist in recent years. His portrait photography has gotten lots of due attention for its signature modern-rustic elegance, and that’s spilled over into some video direction (to wit, this summer’s excellent video for Terri Binion’s “
Tiny Little Landmines”). Well, that sense of mise en scène and set design has bled further onto the
stages and into the
aesthetic of Folk Yeah, really giving the festival yet another dimension of the Dunn touch.
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The States at Folk Yeah Vol. 4
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Patrick Hagerman at Folk Yeah Vol. 4
But back to the music. With its quality and size, what Folk Yeah underscores is that the Central Florida roots and Americana scene is currently on its way to its most notable
renaissance since the mid-2000s heyday. And in addition to showcasing it like no other, Mike Dunn and Folk Yeah are furthering the cause.
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Cat Ridgeway & the Tourists at Folk Yeah Vol. 4
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