March 10, 2023

The worst Best Picture nominees in Oscar history

George Segal and Glenda Jackson in "A Touch of Class" (1973)
George Segal and Glenda Jackson in "A Touch of Class" (1973)

Each year, cinema aficionados wait with bated breath for the Academy Awards, a ceremony that upholds the tradition of honoring the year's best films — in concept, at least. In reality, the Academy of Motion Picture Arts and Sciences doesn't always get it right when it comes to nominations and awards alike. That's especially true in retrospect, with previous nominees and winners showing their age over time. What was once considered classic may now seem relatively subpar, or at the very least, insignificant.

Why does a lackluster film get nominated in the first place? One might wonder. There is no single particular reason — even a bad Oscar nominee or winner will potentially offer something of value. Sometimes, the movie exhibits certain anachronisms that enrapture audiences at the time, but poorly date themselves. Or, in the case of the 1967 release Doctor Dolittle — which tanked at the box office but nevertheless won multiple Oscars — the studio aggressively campaigned during awards season.

Then there are just the bad movie years, in which the cream of the crop is still somewhat inferior to the films that came before and after. Of course, these are Best Picture nominees, so the bar still sits high on the low end — or does it?

To determine which nominations were the "worst" in Oscar history, Stacker gathered all of the movies nominated for Best Picture at the Oscars from 1927 to 2022, and based on data released in 2022, ranked the lowest 25 in the group by IMDb user rating, with #1 being the "worst." Ties were broken based on the number of user votes, and films had to have at least 1,500 votes to be considered for this list.

Believe it or not, some of the films ranked below actually did go on to win the Academy Award for Best Picture. Read on to see which films were the "worst" to be nominated for the top prize at the Oscars.

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No. 25. The Great Ziegfeld (1936)
- Director: Robert Z. Leonard
- IMDb user rating: 6.7
- Runtime: 176 minutes
This musical drama tells the story of Broadway producer Florenz Ziegfeld Jr. (William Powell), whose personal life is as wild as any stage play. While overly long and riddled with inaccuracies, it offers a bold sense of spectacle and features a top-notch cast. It took home three Academy Awards, including Best Picture.
Metro-Goldwyn-Mayer (MGM)
No. 25. The Great Ziegfeld (1936)
- Director: Robert Z. Leonard
- IMDb user rating: 6.7
- Runtime: 176 minutes


This musical drama tells the story of Broadway producer Florenz Ziegfeld Jr. (William Powell), whose personal life is as wild as any stage play. While overly long and riddled with inaccuracies, it offers a bold sense of spectacle and features a top-notch cast. It took home three Academy Awards, including Best Picture.
No. 24. Ivanhoe (1952)
- Director: Richard Thorpe
- IMDb user rating: 6.7
- Runtime: 106 minutes
This adaptation of the classic adventure novel stars Robert Taylor as the titular hero, a British knight who embarks on a perilous rescue mission. It was a box office blockbuster that lost in all three Oscar categories for which it was nominated. Two similar films would follow from the same director and star to create an informal trilogy.
Metro-Goldwyn-Mayer (MGM)
No. 24. Ivanhoe (1952)
- Director: Richard Thorpe
- IMDb user rating: 6.7
- Runtime: 106 minutes


This adaptation of the classic adventure novel stars Robert Taylor as the titular hero, a British knight who embarks on a perilous rescue mission. It was a box office blockbuster that lost in all three Oscar categories for which it was nominated. Two similar films would follow from the same director and star to create an informal trilogy.
No 23. The Robe (1953)
- Director: Henry Koster
- IMDb user rating: 6.7
- Runtime: 135 minutes
This epic centers on Roman tribune Marcellus Gallio (Richard Burton), who lays claim to Jesus' mantle after the crucifixion. Tormented by guilt, he embarks on a path toward Christian redemption. "Overblown melodramatic biblical nonsense," critic Kim Newman wrote of the film for Empire magazine. It lost in the Best Picture category to From Here to Eternity.
20th Century Fox
No 23. The Robe (1953)
- Director: Henry Koster
- IMDb user rating: 6.7
- Runtime: 135 minutes


This epic centers on Roman tribune Marcellus Gallio (Richard Burton), who lays claim to Jesus' mantle after the crucifixion. Tormented by guilt, he embarks on a path toward Christian redemption. "Overblown melodramatic biblical nonsense," critic Kim Newman wrote of the film for Empire magazine. It lost in the Best Picture category to From Here to Eternity.
No. 22. The Accidental Tourist (1988)
- Director: Lawrence Kasdan
- IMDb user rating: 6.7
- Runtime: 121 minutes
Director Lawrence Kasdan reunited with Body Heat stars William Hurt and Kathleen Turner for this romantic drama, adapted from Anne Tyler's novel of the same name. In the wake of his son's death and a commensurate rupture in his marriage, a travel writer (Hurt) must decide between saving his marriage or forging a new life. Geena Davis won the film's sole Academy Award for her supporting role as a dog trainer named Muriel.
Warner Bros.
No. 22. The Accidental Tourist (1988)
- Director: Lawrence Kasdan
- IMDb user rating: 6.7
- Runtime: 121 minutes


Director Lawrence Kasdan reunited with Body Heat stars William Hurt and Kathleen Turner for this romantic drama, adapted from Anne Tyler's novel of the same name. In the wake of his son's death and a commensurate rupture in his marriage, a travel writer (Hurt) must decide between saving his marriage or forging a new life. Geena Davis won the film's sole Academy Award for her supporting role as a dog trainer named Muriel.
No. 21. Prizzi's Honor (1985)
- Director: John Huston
- IMDb user rating: 6.7
- Runtime: 130 minutes
The penultimate film from director John Huston is a pitch-black comedy about the romance between a hit man (Jack Nicholson) and hit woman (Kathleen Turner). Its cynical portrait of mob life offers an inventive counterpunch to the standard subgenre fare. Anjelica Huston took home the movie's sole Academy Award for her supporting role as Maerose Prizzi.
ABC Motion Pictures
No. 21. Prizzi's Honor (1985)
- Director: John Huston
- IMDb user rating: 6.7
- Runtime: 130 minutes


The penultimate film from director John Huston is a pitch-black comedy about the romance between a hit man (Jack Nicholson) and hit woman (Kathleen Turner). Its cynical portrait of mob life offers an inventive counterpunch to the standard subgenre fare. Anjelica Huston took home the movie's sole Academy Award for her supporting role as Maerose Prizzi.
No. 20. Around the World in 80 Days (1956)
- Directors: Michael Anderson, John Farrow
- IMDb user rating: 6.7
- Runtime: 175 minutes
Phileas Fogg (David Niven) bets he can circle the earth in just 80 days in this adventure comedy, adapted from a Jules Verne novel. It scored big at the box office, winning five of the eight Academy Award nominations it received, including Best Picture.
Warner Bros.
No. 20. Around the World in 80 Days (1956)
- Directors: Michael Anderson, John Farrow
- IMDb user rating: 6.7
- Runtime: 175 minutes


Phileas Fogg (David Niven) bets he can circle the earth in just 80 days in this adventure comedy, adapted from a Jules Verne novel. It scored big at the box office, winning five of the eight Academy Award nominations it received, including Best Picture.
No. 19. The Greatest Show on Earth (1952)
- Director: Cecil B. DeMille
- IMDb user rating: 6.6
- Runtime: 152 minutes
Cecil B. DeMille takes viewers behind the scenes at the Ringling Bros. and Barnum & Bailey Circus in this Technicolor drama. According to legend, the director insisted the actors actually learn their circus stunts. It won two Academy Awards, including Best Picture.
Paramount Pictures
No. 19. The Greatest Show on Earth (1952)
- Director: Cecil B. DeMille
- IMDb user rating: 6.6
- Runtime: 152 minutes


Cecil B. DeMille takes viewers behind the scenes at the Ringling Bros. and Barnum & Bailey Circus in this Technicolor drama. According to legend, the director insisted the actors actually learn their circus stunts. It won two Academy Awards, including Best Picture.
No. 18. Airport (1970)
- Directors: George Seaton, Henry Hathaway
- IMDb user rating: 6.6
- Runtime: 137 minutes
This blockbuster thriller spends 12 hours in the life of airport personnel and passengers as they deal with everything from terrorism to inclement weather. It sparked a wave of subsequent disaster films and was later parodied in the smash comedy Airplane! Out of 10 Oscar nominations, the film only won Best Supporting Actress for Helen Hayes.
Ross Hunter Productions
No. 18. Airport (1970)
- Directors: George Seaton, Henry Hathaway
- IMDb user rating: 6.6
- Runtime: 137 minutes


This blockbuster thriller spends 12 hours in the life of airport personnel and passengers as they deal with everything from terrorism to inclement weather. It sparked a wave of subsequent disaster films and was later parodied in the smash comedy Airplane! Out of 10 Oscar nominations, the film only won Best Supporting Actress for Helen Hayes.
No. 17. Gigi (1958)
- Directors: Vincente Minnelli, Charles Walters
- IMDb user rating: 6.6
- Runtime: 115 minutes
This musical romantic comedy swept all nine categories for which it was nominated at the 31st Academy Awards, setting a record at the time. Set in Paris at the turn of the 20th century, it chronicles the relationship between a wealthy playboy (Louis Jourdan) and a young courtesan in training (Leslie Caron). Writing for BuzzFeed, journalist Kate Aurthur called it "the creepiest, most pedophiliac movie ever to win Best Picture."
Warner Bros.
No. 17. Gigi (1958)
- Directors: Vincente Minnelli, Charles Walters
- IMDb user rating: 6.6
- Runtime: 115 minutes


This musical romantic comedy swept all nine categories for which it was nominated at the 31st Academy Awards, setting a record at the time. Set in Paris at the turn of the 20th century, it chronicles the relationship between a wealthy playboy (Louis Jourdan) and a young courtesan in training (Leslie Caron). Writing for BuzzFeed, journalist Kate Aurthur called it "the creepiest, most pedophiliac movie ever to win Best Picture."