The worst Best Picture nominees in Oscar history

George Segal and Glenda Jackson in "A Touch of Class" (1973)
George Segal and Glenda Jackson in "A Touch of Class" (1973)

Each year, cinema aficionados wait with bated breath for the Academy Awards, a ceremony that upholds the tradition of honoring the year's best films — in concept, at least. In reality, the Academy of Motion Picture Arts and Sciences doesn't always get it right when it comes to nominations and awards alike. That's especially true in retrospect, with previous nominees and winners showing their age over time. What was once considered classic may now seem relatively subpar, or at the very least, insignificant.

Why does a lackluster film get nominated in the first place? One might wonder. There is no single particular reason — even a bad Oscar nominee or winner will potentially offer something of value. Sometimes, the movie exhibits certain anachronisms that enrapture audiences at the time, but poorly date themselves. Or, in the case of the 1967 release Doctor Dolittle — which tanked at the box office but nevertheless won multiple Oscars — the studio aggressively campaigned during awards season.

Then there are just the bad movie years, in which the cream of the crop is still somewhat inferior to the films that came before and after. Of course, these are Best Picture nominees, so the bar still sits high on the low end — or does it?

To determine which nominations were the "worst" in Oscar history, Stacker gathered all of the movies nominated for Best Picture at the Oscars from 1927 to 2022, and based on data released in 2022, ranked the lowest 25 in the group by IMDb user rating, with #1 being the "worst." Ties were broken based on the number of user votes, and films had to have at least 1,500 votes to be considered for this list.

Believe it or not, some of the films ranked below actually did go on to win the Academy Award for Best Picture. Read on to see which films were the "worst" to be nominated for the top prize at the Oscars.

Scroll down to view images
No. 25. The Great Ziegfeld (1936)
- Director: Robert Z. Leonard
- IMDb user rating: 6.7
- Runtime: 176 minutes
This musical drama tells the story of Broadway producer Florenz Ziegfeld Jr. (William Powell), whose personal life is as wild as any stage play. While overly long and riddled with inaccuracies, it offers a bold sense of spectacle and features a top-notch cast. It took home three Academy Awards, including Best Picture.
Metro-Goldwyn-Mayer (MGM)
No. 25. The Great Ziegfeld (1936)
- Director: Robert Z. Leonard
- IMDb user rating: 6.7
- Runtime: 176 minutes


This musical drama tells the story of Broadway producer Florenz Ziegfeld Jr. (William Powell), whose personal life is as wild as any stage play. While overly long and riddled with inaccuracies, it offers a bold sense of spectacle and features a top-notch cast. It took home three Academy Awards, including Best Picture.
No. 24. Ivanhoe (1952)
- Director: Richard Thorpe
- IMDb user rating: 6.7
- Runtime: 106 minutes
This adaptation of the classic adventure novel stars Robert Taylor as the titular hero, a British knight who embarks on a perilous rescue mission. It was a box office blockbuster that lost in all three Oscar categories for which it was nominated. Two similar films would follow from the same director and star to create an informal trilogy.
Metro-Goldwyn-Mayer (MGM)
No. 24. Ivanhoe (1952)
- Director: Richard Thorpe
- IMDb user rating: 6.7
- Runtime: 106 minutes


This adaptation of the classic adventure novel stars Robert Taylor as the titular hero, a British knight who embarks on a perilous rescue mission. It was a box office blockbuster that lost in all three Oscar categories for which it was nominated. Two similar films would follow from the same director and star to create an informal trilogy.
No 23. The Robe (1953)
- Director: Henry Koster
- IMDb user rating: 6.7
- Runtime: 135 minutes
This epic centers on Roman tribune Marcellus Gallio (Richard Burton), who lays claim to Jesus' mantle after the crucifixion. Tormented by guilt, he embarks on a path toward Christian redemption. "Overblown melodramatic biblical nonsense," critic Kim Newman wrote of the film for Empire magazine. It lost in the Best Picture category to From Here to Eternity.
20th Century Fox
No 23. The Robe (1953)
- Director: Henry Koster
- IMDb user rating: 6.7
- Runtime: 135 minutes


This epic centers on Roman tribune Marcellus Gallio (Richard Burton), who lays claim to Jesus' mantle after the crucifixion. Tormented by guilt, he embarks on a path toward Christian redemption. "Overblown melodramatic biblical nonsense," critic Kim Newman wrote of the film for Empire magazine. It lost in the Best Picture category to From Here to Eternity.
No. 22. The Accidental Tourist (1988)
- Director: Lawrence Kasdan
- IMDb user rating: 6.7
- Runtime: 121 minutes
Director Lawrence Kasdan reunited with Body Heat stars William Hurt and Kathleen Turner for this romantic drama, adapted from Anne Tyler's novel of the same name. In the wake of his son's death and a commensurate rupture in his marriage, a travel writer (Hurt) must decide between saving his marriage or forging a new life. Geena Davis won the film's sole Academy Award for her supporting role as a dog trainer named Muriel.
Warner Bros.
No. 22. The Accidental Tourist (1988)
- Director: Lawrence Kasdan
- IMDb user rating: 6.7
- Runtime: 121 minutes


Director Lawrence Kasdan reunited with Body Heat stars William Hurt and Kathleen Turner for this romantic drama, adapted from Anne Tyler's novel of the same name. In the wake of his son's death and a commensurate rupture in his marriage, a travel writer (Hurt) must decide between saving his marriage or forging a new life. Geena Davis won the film's sole Academy Award for her supporting role as a dog trainer named Muriel.
No. 21. Prizzi's Honor (1985)
- Director: John Huston
- IMDb user rating: 6.7
- Runtime: 130 minutes
The penultimate film from director John Huston is a pitch-black comedy about the romance between a hit man (Jack Nicholson) and hit woman (Kathleen Turner). Its cynical portrait of mob life offers an inventive counterpunch to the standard subgenre fare. Anjelica Huston took home the movie's sole Academy Award for her supporting role as Maerose Prizzi.
ABC Motion Pictures
No. 21. Prizzi's Honor (1985)
- Director: John Huston
- IMDb user rating: 6.7
- Runtime: 130 minutes


The penultimate film from director John Huston is a pitch-black comedy about the romance between a hit man (Jack Nicholson) and hit woman (Kathleen Turner). Its cynical portrait of mob life offers an inventive counterpunch to the standard subgenre fare. Anjelica Huston took home the movie's sole Academy Award for her supporting role as Maerose Prizzi.
No. 20. Around the World in 80 Days (1956)
- Directors: Michael Anderson, John Farrow
- IMDb user rating: 6.7
- Runtime: 175 minutes
Phileas Fogg (David Niven) bets he can circle the earth in just 80 days in this adventure comedy, adapted from a Jules Verne novel. It scored big at the box office, winning five of the eight Academy Award nominations it received, including Best Picture.
Warner Bros.
No. 20. Around the World in 80 Days (1956)
- Directors: Michael Anderson, John Farrow
- IMDb user rating: 6.7
- Runtime: 175 minutes


Phileas Fogg (David Niven) bets he can circle the earth in just 80 days in this adventure comedy, adapted from a Jules Verne novel. It scored big at the box office, winning five of the eight Academy Award nominations it received, including Best Picture.
No. 19. The Greatest Show on Earth (1952)
- Director: Cecil B. DeMille
- IMDb user rating: 6.6
- Runtime: 152 minutes
Cecil B. DeMille takes viewers behind the scenes at the Ringling Bros. and Barnum & Bailey Circus in this Technicolor drama. According to legend, the director insisted the actors actually learn their circus stunts. It won two Academy Awards, including Best Picture.
Paramount Pictures
No. 19. The Greatest Show on Earth (1952)
- Director: Cecil B. DeMille
- IMDb user rating: 6.6
- Runtime: 152 minutes


Cecil B. DeMille takes viewers behind the scenes at the Ringling Bros. and Barnum & Bailey Circus in this Technicolor drama. According to legend, the director insisted the actors actually learn their circus stunts. It won two Academy Awards, including Best Picture.
No. 18. Airport (1970)
- Directors: George Seaton, Henry Hathaway
- IMDb user rating: 6.6
- Runtime: 137 minutes
This blockbuster thriller spends 12 hours in the life of airport personnel and passengers as they deal with everything from terrorism to inclement weather. It sparked a wave of subsequent disaster films and was later parodied in the smash comedy Airplane! Out of 10 Oscar nominations, the film only won Best Supporting Actress for Helen Hayes.
Ross Hunter Productions
No. 18. Airport (1970)
- Directors: George Seaton, Henry Hathaway
- IMDb user rating: 6.6
- Runtime: 137 minutes


This blockbuster thriller spends 12 hours in the life of airport personnel and passengers as they deal with everything from terrorism to inclement weather. It sparked a wave of subsequent disaster films and was later parodied in the smash comedy Airplane! Out of 10 Oscar nominations, the film only won Best Supporting Actress for Helen Hayes.
No. 17. Gigi (1958)
- Directors: Vincente Minnelli, Charles Walters
- IMDb user rating: 6.6
- Runtime: 115 minutes
This musical romantic comedy swept all nine categories for which it was nominated at the 31st Academy Awards, setting a record at the time. Set in Paris at the turn of the 20th century, it chronicles the relationship between a wealthy playboy (Louis Jourdan) and a young courtesan in training (Leslie Caron). Writing for BuzzFeed, journalist Kate Aurthur called it "the creepiest, most pedophiliac movie ever to win Best Picture."
Warner Bros.
No. 17. Gigi (1958)
- Directors: Vincente Minnelli, Charles Walters
- IMDb user rating: 6.6
- Runtime: 115 minutes


This musical romantic comedy swept all nine categories for which it was nominated at the 31st Academy Awards, setting a record at the time. Set in Paris at the turn of the 20th century, it chronicles the relationship between a wealthy playboy (Louis Jourdan) and a young courtesan in training (Leslie Caron). Writing for BuzzFeed, journalist Kate Aurthur called it "the creepiest, most pedophiliac movie ever to win Best Picture."
No. 16. Romeo and Juliet (1936)
- Director: George Cukor
- IMDb user rating: 6.5
- Runtime: 125 minutes
One of many films to adapt William Shakespeare's classic weaves a tale of an ill-fated romance between two star-crossed lovers. Numerous critics point to the miscasting of Norma Shearer and Leslie Howard, both actors critics believed were too old for the respective title roles. (Editor's note: The play says Romeo is 16 and Juliet is 13; you really gotta go with the critics here.) It went home empty-handed at the ninth Academy Awards.
Metro-Goldwyn-Mayer (MGM)
No. 16. Romeo and Juliet (1936)
- Director: George Cukor
- IMDb user rating: 6.5
- Runtime: 125 minutes


One of many films to adapt William Shakespeare's classic weaves a tale of an ill-fated romance between two star-crossed lovers. Numerous critics point to the miscasting of Norma Shearer and Leslie Howard, both actors critics believed were too old for the respective title roles. (Editor's note: The play says Romeo is 16 and Juliet is 13; you really gotta go with the critics here.) It went home empty-handed at the ninth Academy Awards.
No. 15. Our Town (1940)
- Director: Sam Wood
- IMDb user rating: 6.5
- Runtime: 90 minutes
Based on Thornton Wilder's award-winning play, this nostalgic melodrama examines love and loss in a small town. It was nominated for six Academy Awards and came up empty-handed by the end of the night. Alfred Hitchcock's Rebecca took home Best Picture that year.
Sol Lesser Productions
No. 15. Our Town (1940)
- Director: Sam Wood
- IMDb user rating: 6.5
- Runtime: 90 minutes


Based on Thornton Wilder's award-winning play, this nostalgic melodrama examines love and loss in a small town. It was nominated for six Academy Awards and came up empty-handed by the end of the night. Alfred Hitchcock's Rebecca took home Best Picture that year.
No. 14. A Touch of Class (1973)
- Director: Melvin Frank
- IMDb user rating: 6.5
- Runtime: 106 minutes
This British romantic comedy puts a slapstick twist on the otherwise serious subject of infidelity. An affair between an American businessman (George Segal) and a British divorcee (Glenda Jackson) paves the way for a series of small disasters. Jackson's portrayal in the film earned her the Academy Award for Best Actress.
Brut Productions
No. 14. A Touch of Class (1973)
- Director: Melvin Frank
- IMDb user rating: 6.5
- Runtime: 106 minutes


This British romantic comedy puts a slapstick twist on the otherwise serious subject of infidelity. An affair between an American businessman (George Segal) and a British divorcee (Glenda Jackson) paves the way for a series of small disasters. Jackson's portrayal in the film earned her the Academy Award for Best Actress.
No. 13. Wilson (1944)
- Director: Henry King
- IMDb user rating: 6.4
- Runtime: 154 minutes
This biopic follows Woodrow Wilson (Alexander Knox) as he grapples with various conflicts on his way to the presidency. While critically acclaimed, it made a lackluster impact on audiences. It won five Oscars but lost in the Best Picture category to the Bing Crosby musical Going My Way.
Twentieth Century Fox
No. 13. Wilson (1944)
- Director: Henry King
- IMDb user rating: 6.4
- Runtime: 154 minutes


This biopic follows Woodrow Wilson (Alexander Knox) as he grapples with various conflicts on his way to the presidency. While critically acclaimed, it made a lackluster impact on audiences. It won five Oscars but lost in the Best Picture category to the Bing Crosby musical Going My Way.
No. 12. Love Is a Many-Splendored Thing (1955)
- Directors: Henry King, Otto Lang
- IMDb user rating: 6.4
- Runtime: 102 minutes
This schmaltzy romance takes place in China at a time of great political upheaval, chronicling the affair between a married man (William Holden) and a Chinese English widow (Jennifer Jones). The casting of white American actress Jennifer Jones as a Eurasian woman is among its many dated qualities. It won Oscars for its music and costume design.
Twentieth Century Fox
No. 12. Love Is a Many-Splendored Thing (1955)
- Directors: Henry King, Otto Lang
- IMDb user rating: 6.4
- Runtime: 102 minutes


This schmaltzy romance takes place in China at a time of great political upheaval, chronicling the affair between a married man (William Holden) and a Chinese English widow (Jennifer Jones). The casting of white American actress Jennifer Jones as a Eurasian woman is among its many dated qualities. It won Oscars for its music and costume design.
No. 11. A Farewell to Arms (1932)
- Director: Frank Borzage
- IMDb user rating: 6.4
- Runtime: 80 minutes
This adaptation of Ernest Hemingway's semi-autobiographical novel depicts the torrid romance between a British nurse (Helen Hayes) and an American ambulance driver (Gary Cooper) during World War I. "Lacks the raw gusto of the book but beautifully played by its two leads," wrote critic David Parkinson for Empire magazine. It won two Academy Awards for Best Sound and Best Cinematography.
Paramount Pictures
No. 11. A Farewell to Arms (1932)
- Director: Frank Borzage
- IMDb user rating: 6.4
- Runtime: 80 minutes


This adaptation of Ernest Hemingway's semi-autobiographical novel depicts the torrid romance between a British nurse (Helen Hayes) and an American ambulance driver (Gary Cooper) during World War I. "Lacks the raw gusto of the book but beautifully played by its two leads," wrote critic David Parkinson for Empire magazine. It won two Academy Awards for Best Sound and Best Cinematography.
No. 10. Tom Jones (1963)
- Director: Tony Richardson
- IMDb user rating: 6.4
- Runtime: 129 minutes
Albert Finney plays the title role in this British comedy about the misadventures of a romantic rebel. Once a critical and commercial darling, its erratic execution feels sloppy by today's cinematic standards. Out of 10 nominations, it won four Academy Awards, including Best Picture.
Metro-Goldwyn-Mayer (MGM)
No. 10. Tom Jones (1963)
- Director: Tony Richardson
- IMDb user rating: 6.4
- Runtime: 129 minutes


Albert Finney plays the title role in this British comedy about the misadventures of a romantic rebel. Once a critical and commercial darling, its erratic execution feels sloppy by today's cinematic standards. Out of 10 nominations, it won four Academy Awards, including Best Picture.
No. 9. Anthony Adverse (1936)
- Directors: Mervyn LeRoy, Michael Curtiz
- IMDb user rating: 6.3
- Runtime: 141 minutes
This historical epic takes place in 18th-century Italy and follows the exploits of its titular hero (Fredric March). It stars screen legend Olivia de Havilland as a love interest in one of her earliest major roles. Despite its winning four Oscars, the New York Times found the film to have wasted its cast on "a pointless script and unimaginative direction."
Warner Bros.
No. 9. Anthony Adverse (1936)
- Directors: Mervyn LeRoy, Michael Curtiz
- IMDb user rating: 6.3
- Runtime: 141 minutes


This historical epic takes place in 18th-century Italy and follows the exploits of its titular hero (Fredric March). It stars screen legend Olivia de Havilland as a love interest in one of her earliest major roles. Despite its winning four Oscars, the New York Times found the film to have wasted its cast on "a pointless script and unimaginative direction."
No. 8. She Done Him Wrong (1933)
- Director: Lowell Sherman
- IMDb user rating: 6.3
- Runtime: 66 minutes
Mae West delivers a star-making performance as barroom singer Lady Lou in this pre-Hays Code romantic dramedy. It was adapted from West's stage play Diamond Lil, in which she similarly dispensed her languid brand of sharp wit. The film also features one of the earliest performances by Cary Grant as one of Lou's potential suitors. With a sole Oscar nomination for Best Picture, it lost out to the war drama Cavalcade.
Hulton Archive // Getty Images
No. 8. She Done Him Wrong (1933)
- Director: Lowell Sherman
- IMDb user rating: 6.3
- Runtime: 66 minutes


Mae West delivers a star-making performance as barroom singer Lady Lou in this pre-Hays Code romantic dramedy. It was adapted from West's stage play Diamond Lil, in which she similarly dispensed her languid brand of sharp wit. The film also features one of the earliest performances by Cary Grant as one of Lou's potential suitors. With a sole Oscar nomination for Best Picture, it lost out to the war drama Cavalcade.
No. 7. Arrowsmith (1931)
- Director: John Ford
- IMDb user rating: 6.2
- Runtime: 108 minutes
John Ford's adaptation of Sinclair Lewis' Pulitzer Prize-winning novel tells the story of Dr. Martin Arrowsmith (Ronald Colman), who, enlisted to help fight a bubonic plague outbreak, abandons protocol in order to save as many lives as possible. The film was nominated for four Oscars, winning none.
Metro-Goldwyn-Mayer (MGM)
No. 7. Arrowsmith (1931)
- Director: John Ford
- IMDb user rating: 6.2
- Runtime: 108 minutes


John Ford's adaptation of Sinclair Lewis' Pulitzer Prize-winning novel tells the story of Dr. Martin Arrowsmith (Ronald Colman), who, enlisted to help fight a bubonic plague outbreak, abandons protocol in order to save as many lives as possible. The film was nominated for four Oscars, winning none.
Page 1 of 2