Posted inArts + Culture Orlando Fringe 2025 review: ‘An American (Not) in Paris’ Liv recalls her weeks studying abroad as an NYU student in Paris by Arsheeya Garg May 18, 2025July 4, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘Roo’s Menagerie’ A wild menagerie is assembled, then abandoned; now they tell their tales by Arsheeya Garg May 18, 2025July 14, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘Down the Rabbit Hole’ The classic Lewis Carroll tale told from a different viewpoint and in a different medium by Arsheeya Garg May 18, 2025July 12, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘That’s Why I’m Single’ A love-filled adventure of chaos and surprise by Arsheeya Garg May 18, 2025July 10, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘Holly M. Brinkman Presents: Improv Erotica’ Improvisational comedy and erotic content: kill two bawdy birds with one smutty stone by Seth Kubersky May 18, 2025July 30, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘A Harlivy Honeymoon Whodunnit?!’ Characters from different comic book universes come together to solve crimes by Arsheeya Garg May 18, 2025July 27, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘Gonzo: A Brutal Chrysalis’ A deep dive into historical accounts of the late Hunter S. Thompson by Arsheeya Garg May 18, 2025July 10, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘Shedding Skin’ A haunting piece of performance art by Seth Kubersky May 18, 2025July 7, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘Snoring Mangoes’ A long-form improvised sitcom with at least one breakout character by Seth Kubersky May 18, 2025June 17, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘The Breakup Variety Hour’ One-woman cabaret covers the six essential steps for getting over romantic devastation by Seth Kubersky May 18, 2025July 16, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘One Act of the Dead’ You won’t be bored once the blood starts spraying at this site-specific take on ‘One Cut of the Dead’ by Seth Kubersky May 18, 2025July 5, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘The Greatest Betrayal’ Morgan Frey shares horror stories about dating with disabilities with appeal and self-deprecating humor by Seth Kubersky May 18, 2025June 17, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘Joshua’s Witnesses’ Joshua Bonnici is sure to appeal to Fringe’s freethinkers with his humorous deconstruction of religious doctrine by Seth Kubersky May 18, 2025August 5, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘Elliot Wengler: Jokémon’ If you’re not an avid Pokémon fan or player, the jokes might fly over your head by Arsheeya Garg May 18, 2025June 30, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘Breakneck Twelfth Night’ Nobody has been short-cutting through Billy Shakes’ canon longer than Tim Mooney by Seth Kubersky May 17, 2025July 23, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘Mark Vigeant: The Best Man Show’ Vigeant may be the biggest disaster to hit wedding receptions since the Electric Slide (but in a good way) by Seth Kubersky May 17, 2025August 4, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘Naked at My Age’ Charla Hathaway has a long list of lessons from 20 years of sex and intimacy coaching to share by Seth Kubersky May 17, 2025July 21, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘100 Percent Wizard’ For the best wizardry this side of Hogwarts, Keith Brown’s magic is 100% unmissable by Seth Kubersky May 17, 2025July 26, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘The Heterosexuals’ One-man show on homonormativity asks: Are heterosexuals made, or are they born that way? by Seth Kubersky May 17, 2025June 7, 2025
Posted inArts + Culture Orlando Fringe 2025 review: ‘Cult Classic: A New Musical’ Wind the clock back 20 years to the glory days of home move rentals by Seth Kubersky May 17, 2025July 3, 2025