Posted inArts + Culture
Orlando Fringe 2026 review: ‘Colonial Circus: History, Clown Style’
How now, Brown clowns?
Performing Arts
Posted inArts + Culture
Orlando Fringe 2026 review: ‘Bullock & The Bandits IV: Devil in Deadwood’
The Bullock Hotel was a home for the dead, but it sure enticed the living to want to stay
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Orlando Fringe 2026 review: ‘Against Her Wishes: A Dark Comedy’
Finally understand what Nicole Kidman means by “heartbreak feels good in a place like this.”
Posted inArts + Culture
Orlando Fringe 2026 review: ‘50% Nonverbal’
Theatrical catnip for those who enjoy experimental performance art paired with virtuoso musicianship
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Orlando Fringe 2026 review: ‘The Breakfast Reunion’
Twenty-five years later, five students of Shermer High are once again trapped in the school library
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Orlando Fringe 2026 review: ‘Odyssea’s Family Tree’
Writer-director Max Pinsky and his pole-dance family exhibit incredible athleticism
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Orlando Fringe 2026 review: ‘110% Wizard’
Head-scratching card manipulations, coin materializations and rubber-duckie deductions
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Orlando Fringe 2026 review: ‘Four Dinners’
A love rectangle that keeps folding in upon itself
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Make the most of your Orlando Fringe experience, like the bohemian you are
Fringe is eye-opening fun, but you need to be prepared
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Orlando Fringe 2026 review: ‘Dreamroles’
Lots of big choices, big voices and theatrical joy
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Orlando Fringe 2026 review: ‘Big Gay Jesus: The Third Coming’
If you aren’t at least amused by BGJ, you may be at the wrong theater festival.
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Orlando Fringe 2026 review: ‘Fringin & Flagons Presents: The Last Stand Tavern’
With new “Fringe celeb players” in every performance
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Orlando Fringe 2026 review: ‘Automatic Orchestra: Just Add Music’
Surreal pantomime scenarios intended to echo the dream state
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Orlando Fringe 2026 review: ‘A Strange and Distant Manor’
Improv comedy, super-sized and served with a side of screams
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Orlando Fringe 2026 review: ‘Awaken’
Easily a must-see pick for dance fans at this year’s Orlando Fringe
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Orlando Fringe 2026 review: ‘With What We Have Left’
Interactive ‘With What We Have Left’ turns communication into a game, a challenge, and ultimately a shared act of trust
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Orlando Fringe 2026 review: ‘Unconditionally: The Ultimate Pop Diva Celebration Starring Kayla Fischl’
Three tight musical sets paying tribute to powerhouse pop divas
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Orlando Fringe 2026 review: ‘Haunted Co., a Live Ghost Investigation’
Funny, spooky and serious when it needs to be — a great pick for Fringers who need a little rush of adrenaline