Posted inArts + Culture
Orlando Fringe 2024 review: ‘Miss. Adventure’
A genre-hopping multimedia journey starring Rachel Pallante as an entire SNL season’s worth of characters.
Arts Stories + Interviews
Read Orlando arts stories and interviews with Orlando Weekly. Profiles of local artists, curators, and cultural voices shaping Central Florida.
Posted inArts + Culture
Orlando Fringe 2024 review: ’10 Sketches With Rauce and Joel’
Fringers who feel like laughing until their sides are sore will score more than their money’s worth.
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Orlando Fringe 2024 review: ‘W.W. Double D! What Would Dolly Do? A Tribute to Dolly Parton’
A tribute woven with life-affirming lessons about being comfortable in your own skin.
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Orlando Fringe 2024 review: ‘Quill & Thread’s Excellent Journey: A Totally Not Bogus Sword Fighting Adventure’
There’s more to being a hero than wielding a weapon.
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Orlando Fringe 2024 review: ‘A Drag Is Born’
A wonderfully weird and whimsical solo show that’s one of this year’s best representations of the Fringe spirit.
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Orlando Fringe 2024 review: ‘Tanabata: A New Musical’
‘Tanabata’ could evolve into Broadway’s first blockbuster musical hit by and about Nisei and Nikkei.
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Orlando Fringe 2024 review: ‘Jagged Little Live ’95’
The next best thing to having seen an early-career Morissette on the verge of achieving grunge-rock super-stardom.
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Orlando Fringe 2024 review: ‘A Woman’s Guide to Peeing Outside’
Maybe what we really need is a ‘Guy’s Guide to Peeing Sitting Down.’
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Orlando Fringe 2024 review: ‘Miah in Love’
Miah can belt with the best of them, and this bite-sized bauble should make your day bright and gay.
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Orlando Fringe 2024 review: ‘Becoming Santa’
A diverse range of families struggle to preserve the holiday magic for their precocious progeny.
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Orlando Fringe 2024 review: ‘Clark Levi, Your Parents Are Not Brain Surgeons’
An emotional roller coaster with wide swings from humor to pathos, including a slapstick home surgery sequence.
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Orlando Fringe 2024 review: ‘Dream’
The best pure contemporary dance show seen at Fringe since the acclaimed ‘Ain’t Done Bad.’
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Orlando Fringe 2024 review: ‘Last One Standing’
Utterly unique at this Festival, ‘Last One Standing’ encourages the kind of inner reflection and genuine connection we rarely find time for.
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Orlando Fringe 2024 review: ‘The Trombone Guy’s Story’
Haunting compositions connected by funny stories about the frustrations of fatherhood.
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Orlando Fringe 2024 review: ‘Prowling the Abyss’
Medusa is back, minus the snakes, and she’s got quite a few bloody bones to pick with humanity — at least the male half.
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Orlando Fringe 2024 review: ‘AWOL’
Longtime Fringe darlings Rob Gee and Jon Paterson star as an octogenarian odd couple on the run to a death metal festival.
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Orlando Fringe 2024 review: ‘Bangs, Bobs & Banter: Confessions of a Hairstylist’
Joanna Rannelli slips in and out of wigs and worldviews with empathetic ease.
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Orlando Fringe 2024 review: ‘Hyde’
For modern dance devotees and lovers of avant-garde expressionism, another must-see from PUSH.
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Orlando Fringe 2024 review: ‘Juliet: A Revenge Comedy’
A delicious dish of sly feminist commentary best served while Fringe is piping hot.
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Orlando Fringe 2024 review: ‘The Stakeout by Martin Dockery’
As always, there are few things at Fringe more mesmerizing than Martin Dockery’s haunting imagination.