Posted inArts + Culture
Orlando Fringe 2025 review: ‘Gonzo: A Brutal Chrysalis’
A deep dive into historical accounts of the late Hunter S. Thompson
Fringe Festival
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Shedding Skin’
A haunting piece of performance art
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Snoring Mangoes’
A long-form improvised sitcom with at least one breakout character
Posted inArts + Culture
Orlando Fringe 2025 review: ‘The Breakup Variety Hour’
One-woman cabaret covers the six essential steps for getting over romantic devastation
Posted inArts + Culture
Orlando Fringe 2025 review: ‘One Act of the Dead’
You won’t be bored once the blood starts spraying at this site-specific take on ‘One Cut of the Dead’
Posted inArts + Culture
Orlando Fringe 2025 review: ‘The Greatest Betrayal’
Morgan Frey shares horror stories about dating with disabilities with appeal and self-deprecating humor
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Joshua’s Witnesses’
Joshua Bonnici is sure to appeal to Fringe’s freethinkers with his humorous deconstruction of religious doctrine
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Elliot Wengler: Jokémon’
If you’re not an avid Pokémon fan or player, the jokes might fly over your head
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Breakneck Twelfth Night’
Nobody has been short-cutting through Billy Shakes’ canon longer than Tim Mooney
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Mark Vigeant: The Best Man Show’
Vigeant may be the biggest disaster to hit wedding receptions since the Electric Slide (but in a good way)
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Naked at My Age’
Charla Hathaway has a long list of lessons from 20 years of sex and intimacy coaching to share
Posted inArts + Culture
Orlando Fringe 2025 review: ‘100 Percent Wizard’
For the best wizardry this side of Hogwarts, Keith Brown’s magic is 100% unmissable
Posted inArts + Culture
Orlando Fringe 2025 review: ‘The Heterosexuals’
One-man show on homonormativity asks: Are heterosexuals made, or are they born that way?
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Cult Classic: A New Musical’
Wind the clock back 20 years to the glory days of home move rentals
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Customer Service Bot’s Rules for the Drive-Thru’
If you work in customer service and have a bone to pick with your customer base, this one is right up your alley
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Get a Clue: A Murder Mystery Whodunit Stage Combat Extravaganza’
If you’ve ever wished the characters in your favorite mystery board game would leap to life and start bashing each other over the head …
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Corsets and Cuties: Fin’
Hanging up their garters at the top of their game, the Cuties bow out with a final cabaret
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Aquila: Pole Dance x Prometheus Bound’
An innovative reimagining gives the familiar tale a feminist perspective
Posted inArts + Culture
Orlando Fringe 2025 review: ‘The Rocky Horror Improv Show’
Each performance features a guest narrator who rewrites the plot with a surprise spin
Posted inArts + Culture
Orlando Fringe 2025 review: ‘A Canadian Explains Eurovision to Americans’
The annual song contest is like the Super Bowl meets Broadway and has catapulted to fame groups from ABBA to Riverdance