As it now stands, the latest phase of this ever-unfolding blossom (Oct. 9, Stardust Video & Coffee) is a psychedelic adventure of beauty, purpose and arc. Though pregnant with atmosphere and exploration, it’s not aimless. In fact, there’s more destination in what they’re doing now than I’ve ever seen prior. Their increasingly expansive music has open-ended possibility but there are real melodies and songs here.
No mention of ambience at this mood-rich show would be complete without credit to the video work by Broken Machine Films’ Joshua Rogers, who added his signature warped visuals to thrust the affair further into another dimension. And the Calliope Co.’s sound is particularly suited for his nocturnal, lost-transmission vistas.
Among the openers was Sarasota’s Voice Hoist, who, true to name, makes an especially auroral kind of noise that’s vocally based. And just like the performance at the Gallery at Avalon Island over the summer opening for Simeon Coxe project Amphibian Lark, this one was celestial.
St. Pete’s Ruff Bummer, however, is a more traditional noise artist, if such a thing exists. At least, it’s what is typically evoked in minds when the term comes up. Spiritually – with a performance that occurred off the stage, in the back corner of the room, with back mostly to the audience – it’s more punk. Sonically, it’s an abrasive storm that, instead of the subtle hues of white static sometimes explored in the genre, is pure, visceral exhilaration with volume, velocity and dynamics.
Brain drain is just the worst, and this one definitely hurts since Murray alone has kept Orlando legit weird for many years. Across many experimental projects like Auto Chlor, Glen Runciter, Idi Bidi Midi Comidi, cell phone band Zenas Fisk and the Pedal Challenge, the man’s made a career of tracing the line between insanity and genius. Even so, I don’t rue this one too much. These guys have ties too plentiful and footprint too embedded in the Orlando underground to ever lose touch. There will always be a home for them here once L.A. drains their souls.
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This Little Underground is Orlando Weekly’s music column providing perspective, live reviews and news on the city’s music scene.
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Email Bao: baolehuu@orlandoweekly.com
This article appears in Oct 12-18, 2016.






