Their music is a futurist ride straddling electronic and soul with trap, jazz and tribal accents. It’s an orbital, disembodied trip of sensuality and spirituality. Its suspended, heady hues show an outlook that’s very now. But instead of the murk of some of their contemporaries, theirs is a vision rendered with the kind of clarity befitting their degree of craft.
The record release event was also their live debut. With Sarton’s classical vocal execution and DiViNCi’s groundbreaking digital virtuosity, the performance aspect of the show was practically guaranteed. But to really mark the occasion, they added the full pageantry of a four-singer corps from the Sarton-led lady choir of Beautiful Chorus and a company of contemporary dancers from Raskin Dance Studio to help bring the show.Because Sarton is one of the most proactive local champions of feminine force, the night’s bill was virtually an all-female parade of area talent, with DiViNCi and Drew Yardis being the only peanut M&Ms on stage all night. Particularly evocative performances were by Zoya Zafar, who really impressed me for the second time this year, and Yardis and Stephan, whom you can see yourself this Wednesday at the Imperial.
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This Little Underground is Orlando Weekly’s music column providing perspective, live reviews and news on the city’s music scene.
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Email Bao: baolehuu@orlandoweekly.com
This article appears in Jun 8-14, 2016.









