Premieres Wednesday:
Amy Bradley Is Missing — Her family still believes Amy Lynn Bradley is alive, even though she went missing from a cruise ship all the way back in 1998. This documentary seeks to uncover the truth, which may or may not dovetail with several sightings of Bradley that have been reported over the years. Given that she was a recent college graduate at the time she vanished, one thing’s for sure: It would be a waste of time to check Leonardo DiCaprio’s house. (Netflix)
The Summer I Turned Pretty — As the final season commences, Belly has settled into a comfortable and healthy relationship with Jeremiah, but his brother, Conrad, won’t give up her affections without a fight. Yes, it’s the height of flattery to have two people fighting over you. Just ask Crimea. (Prime Video)
Premieres Thursday:
Catalog — An Egyptian widower has some unconventional help in raising his kids as a single dad: He takes his cues from an online parenting guide left behind by his late wife. It’s hard to see how anybody could feel overwhelmed with that kind of an assist, but watch him kvetch anyway that she didn’t include a reminder of what day the recycling goes out. (Netflix)
Community Squad — Season 2 finds our crew of misfit neighborhood patrollers dealing with the discovery that a dangerous criminal gang is operating out of the local coffeehouse. What’s even worse is that they won’t let you use the bathroom until you’ve done your first hit. (Netflix)
Star Trek: Strange New Worlds — A murder mystery and an episode in the style of the original series are among the highlights of Season 3, which promises a different genre for every installment. Given the peculiar nature of the Roddenberry legacy, expect one of those genres to be “17th remake of Genesis II.” (Paramount+)
Untamed — Eric Bana and Sam Neill play employees of the National Parks Service who team up to solve the mystery of a corpse that’s turned up in Yosemite. In a twist that would do the late David Lynch proud, it turns out to be the corpse of the Parks Service itself. (Netflix)
Premieres Friday:
Almost Family — The first meeting between two sets of in-laws turns into a game of one-upmanship that comes to represent the clashing cultures of Brazil and Argentina. It’s like Meet the Fockers if Robert De Niro plotted a coup and Barbra Streisand harbored escaped Nazis. (Netflix)
Superstar — Ingrid García-Jonsson plays the Spanish pop singer and TV celebrity Tamara, who found that elusive second act to her career after she had to change her name to Yurena for legal reasons. Good thing she didn’t go with her second choice, “Cowboy Carter.” (Netflix)
Vir Das: Fool Volume — The Indian comic completely reworked his fifth Netflix special when he lost his voice two months before taping. Apparently, “Vir Das” is what God hears when you say “Dave Chappelle.” (Netflix)
Wall to Wall — A desperate Korean sinks his last penny into an apartment, only to find out that the place is ground zero for all kinds of disturbing dysfunction. Now’s your chance if you’ve ever wanted to know how Tom Hanks would have done as Player 456. (Netflix)
Premieres Monday:
The Hunting Wives — After her family relocates to East Texas, Brittany Snow falls under the spell of high-society doyenne Malin Akerman, who introduces her to a whole new world of sin and corruption. But hey, what happens in Nacogdoches stays in Nacogdoches. (Netflix)
Premieres Tuesday:
Hip Hop Was Born Here — LL Cool J and Peyton Manning host five documentary episodes that chart the birth and evolution of one of the classic American forms in one of the great American cities. Which means New York. Next month on Peacock, Suge Knight extols the virtues of the West Coast before calling out a hit on Shari Redstone. (Paramount+)
Trainwreck: P.I. Moms — Making a bunch of soccer moms part-time private investigators seemed like a great idea as far as reality TV goes, but the house of cards collapsed when their program was discovered to be interfering with real cases for the sake of drama. Oh, and also the whole thing was a front for a major drug operation. Other than that, it’s a damn shame the show got canceled, because it was clearly what William Paley had been going for all along. (Netflix)
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This article appears in Jul 16-22, 2025.