Posted inArts + Culture
Orlando Fringe 2025 review: ‘MallRatz Improv: Laughter on the Fringe’
Improv comedy always treads a fine line between delight and disaster.
Performing Arts
Posted inArts + Culture
Orlando Fringe 2025 review: ‘The Last Bear’
Plea for a gay rights revolution packs real-world punch, despite the absurdist wrappings
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Beth and Josie Exposed (F*%K De$antis)’
Empathy-eliciting performers tell stories meant to inspire ‘anything other than apathy’
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Done to Death, by Jove!’
A half-improvised, two-man, original murder mystery
Posted inArts + Culture
Orlando Fringe 2025 review: ‘The Real Black Swann: Confessions of America’s First Black Drag Queen’
Distills more than a century of queer revolutions into a moving remembrance of an overlooked trailblazer
Posted inArts + Culture
Orlando Fringe 2025 review: ‘The Vexed and the Vigorous: Verona Shift’
Transplants Shakespeare’s ‘Romeo and Juliet’ into the cinematic world of underground street racing
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Adventures in Baby-Hitting’
Macabre monologue about the travails of parenting identical twins with extreme special needs
Posted inArts + Culture
Orlando Fringe 2025 review: ‘The Wit and Wisdom of Abraham Lincoln’
Historical performer Tom Leahy performs a one-man evocation of the Great Emancipator
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Giselle’s Florence Foster Jenkins Schubertiade Review’
Giselle Bellas conjures the infamously off-key opera singer for a lesson in artistic empathy
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Cat Lim: An American Darling’
Lim’s comedic confessions cover topics almost anyone can identify with
Posted inArts + Culture
Orlando Fringe 2025 review: ‘1-Man No-Show’
Unapologetic anarchic absurdism that’s well worth showing up for
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Box [M]’
Integrates jaw-dropping gymnastics and interpretive dance with a genuinely emotional throughline
Posted inArts + Culture
Orlando Fringe 2025 review: ‘According to the Fox’
Sketch comedy with eerily similar circumstances to political situations today
Posted inArts + Culture
Orlando Fringe 2025 review: ‘EnMi’
It could easily rank among Fringe’s finest dance offerings ever
Posted inArts + Culture
Orlando Fringe 2025 review: ‘1 Small Lie: Martin Dockery’
A narrative journey that defies easy categorization in any genre
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Everfolk: A New Musical’
High-concept backstage musical from the award-winning team behind ‘The Spider Queen’
Posted inArts + Culture
Orlando Fringe 2025 review: ‘HOME[sic]’
Push’s talented trio haven’t lost their knack for skillful slapstick that sticks with you after the laughter ends
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Poems for God’
Anyone who insists feminism is humorless needs to attend this satirical skewering of sacred cows
Posted inArts + Culture
Orlando Fringe 2025 review: Breaking Bard: ‘An Improvised Shakespearean Tragedy’
Creative Canadian quintet weaves together an entirely improvised lost Shakespearean tragedy
Posted inMusic
The Florida premiere of Scott Joplin’s ‘Treemonisha’ tells an uplifting story of community
This weekend, see the ragtime legend’s long-lost and miraculously found opera
