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Orlando Fringe 2025 review: ‘Solovela, An Improvised Solo Telenovela’
Miami native Diane Jorge is the funniest female solo improviser of this Fest
Seth Kubersky
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Orlando Fringe 2025 review: ‘Sam’s Skeleton Soirée’
Fans of Universal’s Halloween dance shows can get their spooky season fix a few months early
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Orlando Fringe 2025 review: ‘WINNING: Winning’
Wild, wacky, unexpectedly emotional winner of a show
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Orlando Fringe 2025 review: ‘Ferry Tale!’
The most awww-inspiring show of the Festival
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Orlando Fringe 2025 review: ‘The Swamp Is on Fire’
This show is a reminder of how badly we miss having Tod Kimbro in Orlando
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Orlando Fringe 2025 review: ‘The Bunker’
A play about the last two actors left on Earth after an apocalypse.
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Orlando Fringe 2025 review: ‘(a)political’
If anything might reignite my faith and optimism in local politics, it’s this show
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Orlando Fringe 2025 review: ‘Things That I Destroy: The Overmedicated Misadventures of an Autistic Antiheroine’
Pitch-black sense of humor and unflinching insight into an alphabet soup of neurological complications
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Orlando Fringe 2025 review: ‘American History vs. American Idol’
Teaching about such historical facts is sadly transgressive in today’s state of Florida
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Orlando Fringe 2025 review: ‘Holly M. Brinkman Presents: Improv Erotica’
Improvisational comedy and erotic content: kill two bawdy birds with one smutty stone
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Orlando Fringe 2025 review: ‘Shedding Skin’
A haunting piece of performance art
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Orlando Fringe 2025 review: ‘Snoring Mangoes’
A long-form improvised sitcom with at least one breakout character
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Orlando Fringe 2025 review: ‘The Breakup Variety Hour’
One-woman cabaret covers the six essential steps for getting over romantic devastation
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Orlando Fringe 2025 review: ‘One Act of the Dead’
You won’t be bored once the blood starts spraying at this site-specific take on ‘One Cut of the Dead’
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Orlando Fringe 2025 review: ‘The Greatest Betrayal’
Morgan Frey shares horror stories about dating with disabilities with appeal and self-deprecating humor
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Orlando Fringe 2025 review: ‘Joshua’s Witnesses’
Joshua Bonnici is sure to appeal to Fringe’s freethinkers with his humorous deconstruction of religious doctrine
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Orlando Fringe 2025 review: ‘Breakneck Twelfth Night’
Nobody has been short-cutting through Billy Shakes’ canon longer than Tim Mooney
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Orlando Fringe 2025 review: ‘Mark Vigeant: The Best Man Show’
Vigeant may be the biggest disaster to hit wedding receptions since the Electric Slide (but in a good way)
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Orlando Fringe 2025 review: ‘Naked at My Age’
Charla Hathaway has a long list of lessons from 20 years of sex and intimacy coaching to share