Orlando Fringe 2024 review: ‘The Light Bringer’

Laila Lee vividly shares her life story, enlivening a Scheherazade-esque tale with expressive physical movement and evocative musical snippets.

Orlando Fringe 2024 review: ‘Danny FeedBack to the Future’

Not so much a musical as a rock concert with scatological skits between puerile parodies of vintage jukebox hits.

Estate sale organizer and comic Kelly Dee blends the buzz of a rummage sale with a bounty of big laughs.

Elvis Presley’s alleged homosexual proclivities have been argued about for decades, but this bite-sized fantasia doesn’t add much to the debate.

Danielle Rodd is a performer who makes you want to lean in and listen.

Explains Palpatine’s cloning conspiracy more succinctly than ‘Rise of Skywalker’ and ‘Bad Batch’ put together.

Midway between a comedic cabaret and self-help drama.

A scathingly satirical solo show overstuffed with hysterical horror stories.

Can Mitzi still sustain an hour-plus solo show? Darn rootin’ tootin’ fresh-n-fruity, she can!

Kyona Levine Farmer’s play boldly addresses provocative issues of generational trauma and childhood abuse.

Narada Owens is a chaotically charismatic stage presence whose work defies easy categorization.

Queer audiences deserve hyperverbal romantic dramedies built around improbable plot contrivances just as much as straight people do.