Posted inArts + Culture
Orlando Fringe 2025 review: ‘100 Percent Wizard’
For the best wizardry this side of Hogwarts, Keith Brown’s magic is 100% unmissable
Arts Stories + Interviews
Read Orlando arts stories and interviews with Orlando Weekly. Profiles of local artists, curators, and cultural voices shaping Central Florida.
Posted inArts + Culture
Orlando Fringe 2025 review: ‘The Heterosexuals’
One-man show on homonormativity asks: Are heterosexuals made, or are they born that way?
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Cult Classic: A New Musical’
Wind the clock back 20 years to the glory days of home move rentals
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Customer Service Bot’s Rules for the Drive-Thru’
If you work in customer service and have a bone to pick with your customer base, this one is right up your alley
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Get a Clue: A Murder Mystery Whodunit Stage Combat Extravaganza’
If you’ve ever wished the characters in your favorite mystery board game would leap to life and start bashing each other over the head …
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Corsets and Cuties: Fin’
Hanging up their garters at the top of their game, the Cuties bow out with a final cabaret
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Aquila: Pole Dance x Prometheus Bound’
An innovative reimagining gives the familiar tale a feminist perspective
Posted inArts + Culture
Orlando Fringe 2025 review: ‘The Rocky Horror Improv Show’
Each performance features a guest narrator who rewrites the plot with a surprise spin
Posted inArts + Culture
Orlando Fringe 2025 review: ‘A Canadian Explains Eurovision to Americans’
The annual song contest is like the Super Bowl meets Broadway and has catapulted to fame groups from ABBA to Riverdance
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Fosgate: Ferret Loan Officer’
‘The Merchant of Venice’ meets ‘The Muppet Show’
Posted inArts + Culture
Orlando Fringe 2025 review: ‘MallRatz Improv: Laughter on the Fringe’
Improv comedy always treads a fine line between delight and disaster.
Posted inArts + Culture
Orlando Fringe 2025 review: ‘The Last Bear’
Plea for a gay rights revolution packs real-world punch, despite the absurdist wrappings
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Beth and Josie Exposed (F*%K De$antis)’
Empathy-eliciting performers tell stories meant to inspire ‘anything other than apathy’
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Done to Death, by Jove!’
A half-improvised, two-man, original murder mystery
Posted inArts + Culture
Orlando Fringe 2025 review: ‘The Real Black Swann: Confessions of America’s First Black Drag Queen’
Distills more than a century of queer revolutions into a moving remembrance of an overlooked trailblazer
Posted inArts + Culture
Orlando Fringe 2025 review: ‘The Vexed and the Vigorous: Verona Shift’
Transplants Shakespeare’s ‘Romeo and Juliet’ into the cinematic world of underground street racing
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Adventures in Baby-Hitting’
Macabre monologue about the travails of parenting identical twins with extreme special needs
Posted inArts + Culture
Orlando Fringe 2025 review: ‘The Wit and Wisdom of Abraham Lincoln’
Historical performer Tom Leahy performs a one-man evocation of the Great Emancipator
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Giselle’s Florence Foster Jenkins Schubertiade Review’
Giselle Bellas conjures the infamously off-key opera singer for a lesson in artistic empathy
Posted inArts + Culture
Orlando Fringe 2025 review: ‘Cat Lim: An American Darling’
Lim’s comedic confessions cover topics almost anyone can identify with