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Orlando Fringe 2024 review: ‘Howdy, Stranger’
A cockeyed queer comedy lovingly cobbled together out of old cowboy clichés.
Seth Kubersky
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Orlando Fringe 2024 review: ‘How the Grinch Killed Christmas: A WHO-dunnit Parody’
In classic whodunit fashion, each character gets interrogated as to their motive and opportunity.
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Orlando Fringe 2024 review: ‘Emilio’s a Million Chameleons’
Enough energy and charm to make it one of the best G-rated shows at this Festival.
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Orlando Fringe 2024 review: ‘Journey From the Nile to the Tigris’
Should jolt open some Orlando eyes and minds in favor of this tantalizing ancient tradition.
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Orlando Fringe 2024 review: ‘At the Table With Keith Brown’
Experience astonishing up-close illusions on larger-than life video.
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Orlando Fringe 2024 review: ‘Death of a Dandelion’
Amid a festival filled with stories about toxic relations, it’s refreshing to see one about family ties that bind without burning.
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Orlando Fringe 2024 review: ‘The Light Bringer’
Laila Lee vividly shares her life story, enlivening a Scheherazade-esque tale with expressive physical movement and evocative musical snippets.
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Orlando Fringe 2024 review: ‘Danny FeedBack to the Future’
Not so much a musical as a rock concert with scatological skits between puerile parodies of vintage jukebox hits.
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Orlando Fringe 2024 review: ‘The Estate Sale’
Estate sale organizer and comic Kelly Dee blends the buzz of a rummage sale with a bounty of big laughs.
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Orlando Fringe 2024 review: ‘Nick & Elvis’s Love Story’
Elvis Presley’s alleged homosexual proclivities have been argued about for decades, but this bite-sized fantasia doesn’t add much to the debate.
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Orlando Fringe 2024 review: ‘The Process Is Ugly’
Danielle Rodd is a performer who makes you want to lean in and listen.
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Orlando Fringe 2024 review: ‘The Mando-larody’
Explains Palpatine’s cloning conspiracy more succinctly than ‘Rise of Skywalker’ and ‘Bad Batch’ put together.
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Orlando Fringe 2024 review: ‘Queer Up!’
Midway between a comedic cabaret and self-help drama.
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Orlando Fringe 2024 review: ‘Confessions of a Theme Park Worker’
A scathingly satirical solo show overstuffed with hysterical horror stories.
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Orlando Fringe 2024 review: ‘Mitzi Morris: Live at the Come On Inn’
Can Mitzi still sustain an hour-plus solo show? Darn rootin’ tootin’ fresh-n-fruity, she can!
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Orlando Fringe 2024 review: ‘Bobby Lee Blood’
Kyona Levine Farmer’s play boldly addresses provocative issues of generational trauma and childhood abuse.
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Orlando Fringe 2024 review: ‘Brain Bros Presents: Uber Chronicles’
Narada Owens is a chaotically charismatic stage presence whose work defies easy categorization.
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Orlando Fringe 2024 review: ‘Sit at the Bar’
Queer audiences deserve hyperverbal romantic dramedies built around improbable plot contrivances just as much as straight people do.
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For Orlando artists Mila and Gina Makarova, working together on and off stage is family time
Whether it’s Orlando Ballet, Phantasmagoria or an Opera Orlando production, this mother and daughter depend on each other.
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The Bureau on International Drive rolls out the Underground Game Show, a brand-new entertainment offering fiendishly difficult questions
A terrific alternative for those who find escape rooms anxiety-inducing.