Kevin, King of Egypt is the final chapter in a mental health-themed trilogy from psychiatric nurse-turned-slam poet Rob Gee, who previously performed Fruitcake and last year’s Forget Me Not at Orlando Fringe to great acclaim. Here, Gee (under the briskly paced direction of Tara Garther) plays the title character, plus a 7-Eleven security guard, an alcoholic widower and several others, subtly shifting his voice and posture with each persona in this obsessively-compulsively watchable one-man performance.
This show forgoes Forget Me Not’s Seussian rhyme schemes, instead slipping almost imperceptibly between prose and free verse, and it trades the whodunit plotting for an intimate family drama. But Kevin is still crammed with Gee’s trademark mixture of killer wit and medical commentary (“Half the patients think they’re Jesus, but the doctors all think they’re God”) wrapped around his inimitable off-kilter physicality, which is amped up to a manic 11 for this role. Rob Gee might not really be the king of Egypt, but he continues to reign over the performance poetry realm at Orlando Fringe.
Kevin, King of Egypt
Rob Gee – Leicester, UK
18 & Up – Strong Language, Mature Themes
60 Minutes
Yellow Venue
Thursday, May 17th 8:45pm
Saturday, May 19th 2:30pm
Monday, May 21st 7:00pm
Thursday, May 24th 10:45pm
Friday, May 25th 7:15pm
Saturday, May 26th 1:30pm
Sunday, May 27th 9:00pm
Check out ALL of our Fringe 2018 reviews at orlandoweekly.com/fringe2018
This article appears in May 16-22, 2018.

