click to enlarge the-huntsman-winters-war-2016-_1_.jpg

The Huntsman: Winter’s War embodies all sorts of opposites, all at once 

Girl power … sorta

It's a prequel and a sequel! It's full of girl power and reflexive lady-hating! It's a parody mashup of Lord of the Rings with Frozen, and it's a longform conceptual fashion shoot! The Huntsman: Winter's War is all these things and more, and sometimes less. It's a story about the horror of child soldiers, minus the horror. It's a love-conquers-all story with almost no genuine emotional content at all. It's a comedy without any actual humor. It's a movie in which, at the finale, the endlessly nonsensical narrator will sum up his word salad with "Some fairy tales do come true," and we have no idea what the hell he could be referring to.

The best thing about 2012's not-very-good Snow White and the Huntsman was Charlize Theron's evil queen Ravenna. Not even Ravenna so much as the suggestion of her backstory, which was hinted at as being rather tragic and moving and, boy, if only we knew what had made her so nasty, we might be sympathetic to her. So when the trailers for Huntsman informed us that we were in for "the story before Snow White," I figured that would at least involve a smidge of Ravenna's coming-of-witch. But it doesn't. (It's rarely a good idea to watch trailers. The ones for this movie are simultaneously hugely misleading and way too revealing, spoiling a thing that the film does not reveal until close to the end. At least this is consistent with the movie's ethos of being all sorts of opposites all at once.)

Ravenna is already evil as Winter's War opens, and then she isn't in the rest of the film much anyway, except for one big showdown sequence with her sorcerous ice-queen sister Freya (Emily Blunt) that calls to mind a fancy fantasy perfume advertisement. This is mostly the tale of the Huntsman (Chris Hemsworth) and mostly it takes place after the events of Snow White ... and even ultimately negates much of what we learned in that film, which will surely piss off whatever trufans the first movie has. The Huntsman gets a name here – Eric – because it turns out there are lots of Huntsmen: They are Freya's army, children stolen from subjects in her far-northern realm and turned into warriors. This is how she mourns the baby she lost, because, really, what other option does she have? (The narrator, who sounds an awful lot like Liam Neeson, informs us that "if she could not raise a child, she would raise an army," which perhaps sounds OK on paper – though I doubt it – but is absolutely absurd when spoken.) Also, Freya is magic and can make things frosty just by touching them and lives in an ice castle; the cold never bothered her anyway. Eric was one of Freya's child soldiers – he turned out remarkably well-adjusted for having been trained to kill from a young age and hey, wait a minute, that isn't even anywhere near what huntsman means ....

It's really not worth getting worked up about that, because very little of this movie makes sense on even the most basic level, and – again with the opposites – the most lucid bits are the ones we don't even see. Like how Snow White accidentally discovers in an upsetting way that Ravenna's magic mirror is, like, totally the One Ring to Rule Them All or something. We don't witness this, of course, because Kristen Stewart has not returned for this movie. So someone just tells us about this unpleasant event. (But it was really bad, promise. You would have loved how scary it was, seriously.) Freya wants the mirror, and Eric is determined to stop her from getting it, because "whoever gets the mirror will be unstoppable" even though this is clearly not the case. (Ravenna had it and she wasn't unstoppable.) He and another escaped Huntsman, Sara (Jessica Chastain), will find the mirror and take it to somewhere called Sanctuary, because it'll be safe there. Where or what is Sanctuary? Is it like Rivendell? We have no idea.

<Deep breath> Let it go. <exhale>

2 out of 5 stars

We welcome readers to submit letters regarding articles and content in Orlando Weekly. Letters should be a minimum of 150 words, refer to content that has appeared on Orlando Weekly, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.

Email us at

Support Local Journalism.
Join the Orlando Weekly Press Club

Local journalism is information. Information is power. And we believe everyone deserves access to accurate independent coverage of their community and state. Our readers helped us continue this coverage in 2020, and we are so grateful for the support.

Help us keep this coverage going in 2021. Whether it's a one-time acknowledgement of this article or an ongoing membership pledge, your support goes to local-based reporting from our small but mighty team.

Join the Orlando Weekly Press Club for as little as $5 a month.


Never miss a beat

Sign Up Now

Subscribe now to get the latest news delivered right to your inbox.

Read the Digital Print Issue

July 28, 2021

View more issues


© 2021 Orlando Weekly

Website powered by Foundation