Support local journalism. Join the Orlando Weekly Press Club.

click to enlarge moana.jpg

Sweet, funny, exciting and moving, 'Moana' is a transcendent experience 

Girl empowered

"There must be more than this provincial life!" So goes the melancholy cry of the Disney princess. But it becomes so much more, something so much bigger in Moana, yet another triumph for the Mouse's animation arm.

Sweet, funny, exciting and moving, this is a transcendent experience that brings to the screen a pan-Polynesian cultural tradition that has been entirely absent from mainstream entertainment. Here is a wonderful mythology of demons and demigods, and a creation story unlike any we've seen before: ancient fantasy that feels fresh because so few of us have been exposed to it before (unlike European-flavored fantasies and Judeo-Christian creation myths, which get so much play). But Moana's story, set thousands of years ago, also has much that is pointed to say to us today.

The first thing electrifying about Moana is that its heroine isn't just a girl longing to see, literally, new horizons. Yes, Moana is driven to find out what lies beyond the reefs off her beautiful South Pacific island paradise, reefs beyond which her people are forbidden to venture. What makes her special is how she will achieve this. She is chosen by the ocean itself, as a reward for a kind act toward a sea creature, to take on a quest involving a long and dangerous journey that will, hopefully, save her island and her people. (Turns out paradise is threatened, as it usually is.) From Ulysses and Jesus to Luke Skywalker and Neo and that doofus in The Lego Movie, our literature is replete with "Chosen Ones" who are male. The hero with a thousand faces finally, this time, has a female face. A brown female face. A thousand hoorays would not be enough.

There is, in the grand Disney tradition, much soul-searching and lots of "be yourself" encouragement, but we've never seen anything like how that takes shape here via Moana (voiced by newcomer Auli'i Cravalho). She wonders why she dreams of doing something that her father, Chief Tui (voiced by Temuera Morrison), insists cannot be attempted. But then, in an astonishing sequence, Moana experiences a soaring vision of the past of her people as daring explorers who crossed vast oceans, who were brave and intrepid, not confined by comfort and timidity. Moana isn't a misfit: She embodies a bold and restless spirit of her people that has been denied for too long.

This is wonderful. A girl. A "mere" girl. The very incarnation of her culture. Amazing.

It is impossible to overstate how much girls – and women – need to hear this. The adventure that Moana embarks upon requires her to find the trickster demigod Maui, who long ago stole the heart of the mother of the earth, which caused some bad things to happen and darkness to spread. The heart needs to be put back, and only Maui can do that with his magic. When she finds him, she discovers an arrogant jerk (with the voice of Dwayne Johnson) with no desire to help humanity, certainly not after how ungrateful we all are for everything he did for us (roped in the sun, set the tides rolling, etc.). She must convince him that it is in the best interests of his reputation – with which he is inordinately concerned – to help her.

The incomparable Disney way of combining goofiness with profundity reaches hugely entertaining new levels here: Maui's animated tattoos, which act as his conscience, are characters in their own right. In a cave of treasures in a realm of monsters, Moana and Maui meet a spectacularly vain villain who is both a comic distraction and a cautionary tale. That the animation is splendid goes without saying. And the songs, oh the songs! Just as a musical, as a story that evolves through song, this may be the best Disney entry since the heyday of Alan Menken and Howard Ashman in the early 1990s, or at least since The Lion King, thanks to Samoan-New Zealander singer-songwriter Opetaia Foa'i, Mark Mancina (among his many other credits, Disney's The Lion King), and Hamilton's Lin-Manuel Miranda. (Dwayne Johnson gets a hilarious song for Maui; turns out the Rock has a very pleasant singing voice.)

Ultimately, Moana's quest, the wrong she must put right, is one with a very applicable message for us today: Do not piss off Mother Earth, because she will turn on you ... but it's never too late to try to fix the mess. If Moana becomes an inspiration for youngsters today to become the green warriors of tomorrow – which doesn't seem very unlikely at all – she may end up embodying the spirit not just of her Polynesian peoples but of all of us. And that would truly be unprecedented.

5 out of 5 stars

We welcome readers to submit letters regarding articles and content in Orlando Weekly. Letters should be a minimum of 150 words, refer to content that has appeared on Orlando Weekly, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.

Email us at [email protected].

Support Local Journalism.
Join the Orlando Weekly Press Club

Local journalism is information. Information is power. And we believe everyone deserves access to accurate independent coverage of their community and state. Our readers helped us continue this coverage in 2020, and we are so grateful for the support.

Help us keep this coverage going in 2021. Whether it's a one-time acknowledgement of this article or an ongoing membership pledge, your support goes to local-based reporting from our small but mighty team.

Join the Orlando Weekly Press Club for as little as $5 a month.


Never miss a beat

Sign Up Now

Subscribe now to get the latest news delivered right to your inbox.

Read the Digital Print Issue

January 19, 2022

View more issues


© 2022 Orlando Weekly

Website powered by Foundation