Support local journalism. Join the Orlando Weekly Press Club.


We see the '50s as a sexually repressed era of ideal family values, but more than a few of us came from the back seat of a secondhand Dodge.

Grease – currently enjoying a revival at Theatre Downtown – reflects this gritty reality with a fluidly drawn battle of the sexes hemmed into the hermetic world of Rydell High.

On one side are the Pink Ladies, led by the evil-eyed Rizzo (Shannon Bilo). Grades aren't important to them: Education only covers nicotine, alcohol and cheap prophylactics. Slithering through the trenches are the violent yet lovable Burger Palace Boys. They focus on the same things, with the war between the genders hinging on a game of sexual chicken – intercourse equals status, but pregnancy knocks you out of the game. Into this terrarium descends clean-cut Sandy Dumbrowski (Natalie Davidson), newly arrived at the school and completely innocent. She met Danny Zuko (Stephen MacKinnon) over the summer, and without peer pressure to influence him, he treated her well. But around the guys, status demands that he treat her like dirt, and it hurts her. Romance proceeds, but entropy overcomes good intentions; not until Sandy gives herself over to slutdom can everyone be happy.

There's plenty of good stuff happening here, as the fresh faces of CenterStage Orlando (a new group that debuted with a recent production of You're a Good Man, Charlie Brown at the Studio Theatre) mesh with the more experienced denizens of Theatre Downtown. Stephen Pugh dynamically plays the semileader of the pack, Kenickie. He spends time with Rizzo until she catches him exploring the wrong territory and she shoots a glance so withering it scares all the married men in the audience. Watching over the teen shenanigans are the lovable Miss Lynch (Joan Gay) and the oily DJ Vince Fontaine (John Hill). The songs are great, with Teen Angel (Kevin Zepf) offering advice in "Beauty School Dropout." But what really makes this show exciting is the deadly accurate choreography of Katie Muise. These are big production numbers for a small stage, and everyone hits his or her mark, every time.

While Grease oozes entertainment, remember that this not the movie version. The big blowout number "You're the One That I Want" doesn't appear, and the Zuko/ Dumbrowski romance seems almost a subplot in this fight for scarce resources. Can a girl get a man who can get a job? Can a guy get a girl who can avoid pregnancy? The winners get respectable working-class lives, and the losers get scorn and rejection. If that's not the basis of a great musical, I don't know what is.

Through July 24
Theatre Downtown

Tags: , ,

We welcome readers to submit letters regarding articles and content in Orlando Weekly. Letters should be a minimum of 150 words, refer to content that has appeared on Orlando Weekly, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.

Email us at [email protected].

Support Local Journalism.
Join the Orlando Weekly Press Club

Local journalism is information. Information is power. And we believe everyone deserves access to accurate independent coverage of their community and state. Our readers helped us continue this coverage in 2020, and we are so grateful for the support.

Help us keep this coverage going in 2021. Whether it's a one-time acknowledgement of this article or an ongoing membership pledge, your support goes to local-based reporting from our small but mighty team.

Join the Orlando Weekly Press Club for as little as $5 a month.

More by Al Pergande


Never miss a beat

Sign Up Now

Subscribe now to get the latest news delivered right to your inbox.

Read the Digital Print Issue

January 19, 2022

View more issues


© 2022 Orlando Weekly

Website powered by Foundation