The Roundhouse Tapes: Opeth Live

The Roundhouse Tapes: Opeth Live
Label: Peaceville
Length: EP
Rated: NONE
Media: CD
Format: Album
WorkNameSort: Roundhouse Tapes: Opeth Live, The

Opeth’s double album, The Roundhouse Tapes, contains several passages in which guitars wend through numinous melodies, isolated from other instruments and unsullied by crowd noise. During such moments, particularly the forlorn, crystalline “Under the Weeping Moon” solos, listeners might forget they’re listening to a concert recording, an impressive testament to Opeth’s ability to transcend setting. Just as compelling, however, are the reminders that Roundhouse captures an actual performance (London, Nov. 9, 2006): The ecstatic screams of anticipatory fans before “Face of Melinda” and “Blackwater Park” erupting after minutes of tantalizing crescendo; the enthusiastic, if occasionally arrhythmic, audience clap-alongs during acoustic forest-folk interludes; frontman Mikael Åkerfeldt’s copious stage banter.

Ranging from DVD commentary–style illuminations (Åkerfeldt divulges that he wrote “Night and the Silent Water” with the lute in mind), to self-described “rock-star moves” (a meet-the-band bit set to a porno-funk vamp, culminating in his introduction of himself as “Bubba Smith”), Åkerfeldt’s chatter exposes him as charismatic and relatively jovial. This revelation shatters the misconception that Opeth’s members are mystical harbingers of prog-metal darkness, but it’s worth a little disenchantment to glimpse relatable humanity in a genre known for gloomy detachment.

Scroll to read more Music Stories + Interviews articles
Join the Orlando Weekly Press Club

Local journalism is information. Information is power. And we believe everyone deserves access to accurate independent coverage of their community and state.
Help us keep this coverage going with a one-time donation or an ongoing membership pledge.

Newsletters

Join Orlando Weekly Newsletters

Subscribe now to get the latest news delivered right to your inbox.