Ingrid Garner adapted this theatrical history lesson from her own grandmother’s memoir. And her performance is more emotionally resonant because of that family connection. Her presentation is always a bit stronger when she’s speaking directly to the audience – as opposed to embodying Eleanor’s mother, father and older brother – but this is still one of the most memorable dramas of this year’s Fringe.
Directed by Craig Tyrl and presented in the Orlando Museum of Art’s Gold Venue, the show might lack intimacy if you’re sitting at the back, so get there early for a close seat. But the expansive auditorium does allow for projections of war-torn Berlin on the large screen above the stage, and with just a couple of exceptions, those photos and short newsreels enhance the narrative.
More peculiar is Garner’s set, which consists of two folding chairs and a large trunk. She drags the latter around repeatedly, using it as a stand-in for other objects. Its movement is a tad distracting until one realizes that the trunk symbolizes not just Eleanor but all Hitler’s victims: reluctant travelers searching for home, constantly being tossed around by the whims of a madman.
Eleanor’s Story: An American Girl in Hitler’s Germany
GLAM - Global Arts Management, CA
13 & Up – Mature Themes
Thursday, May 17, 2018 @ 7:00 PM
Saturday, May 19, 2018 @ 4:30 PM
Sunday, May 20, 2018 @ 8:00 PM
Monday, May 21, 2018 @ 7:30 PM
Thursday, May 24, 2018 @ 6:45 PM
Saturday, May 26, 2018 @ 4:45 PM
Sunday, May 27, 2018 @ 1:30 PM