Tuesday, September 13, 2011

The Revisionist Oscars: 2000

Posted By on Tue, Sep 13, 2011 at 2:33 PM


As films the likes of Bucky Larsson and I Don't Know How She Does It starting to hit the theaters we know that, even though it might still be hot outside, summer is officially over.

Yes. It's almost Oscar season. The glorious four months of the year where good films open up every single weekend. As filmgoers, this time of year is our sacred right for having sat quietly through a terribly underwhelming summer movie season.

And of course the most sacred of sacred rights when it comes to movies is the right to bitch and moan about when the Oscars gets it all wrong.

It's in that spirit that we present The Revisionist Oscars, a look back at Oscars past to see what they got right, what the got wrong and, well, what they really got wrong.

To get us started off it'll be the 72nd Academy Awards, which took place on March 26th, 2000, recognizing the films released in 1999. American Beauty swept most of the award categories, but wrongly in my opinion. Let's take a look, shall we?


American Beauty

The Cider House Rules

The Green Mile

The Insider

The Sixth Sense

We can see right off the bat that this isn't a strong year. When was the last time you watched The Cider House Rules? How many minutes has it been since you told an M. Knight Shamalamadingdong joke? As for The Green Mile, let's just pretend that never happened, yes?

Just to start out, I would replace those three with (or add, under the new rules) Toy Story 2, The Matrix, and Tim Robbins' Cradle Will Rock. With hindsight I believe Toy Story 2 and The Matrix would be nominated anyway, though perhaps The Sixth Sense would keep its spot over Cradle Will Rock, since I appear to be one of six people who saw it (time for an Underrated, perhaps? I think so). Woody Allen's Sweet and Lowdown, starring Oscar fave Sean Penn, Spike Jonze and Charlie Kaufman's Being John Malkovich, and Pedro Almodovar's All About My Mother would also have been strong candidates.

click to enlarge american_beauty-10682jpg

It's not that I think American Beauty is a bad film, it's just that I thought it was a thoroughly mediocre one that had scenes that shocked people into higher estimations, and the cast aside from Anette Benning, Chris Cooper and Allison Janney really didn't move me at all. It was really Janney that stole the film for me with her emotionally destroyed Mrs. Fitts, not Kevin Spacey's Lester.

So what would have won if I were God? If we are sticking with only films nominated, the win would have to go to The Insider. With an incredible script from Michael Mann and Eric Roth, and performances from Al Pacino and Russell Crowe that still resonate, the film largely overcame some of the factual inaccuracies and the grand excesses that come along with Mann's directing style. It's topic -- censorship -- is perhaps even more relevant now in the age of Wikileaks. Marketing failed the film when everyone thought it was an expose of cigarettes and not an expose on censorship in the corporate media world (which, God, that still makes it sound dull -- it's not), but it's still pretty clear that this is the role that Russell Crowe actually won his Oscar for, not Maximus. And rightly so, I think.

click to enlarge insider_largejpg

But if we open it up to my three additional nominations my vote would go for the scrappy little animation that started out life as a direct-to-video release until Disney realized what they had on their hands. Yes, Toy Story 2 would be my choice for the 1999 year in movies. Lasseter and Co really delivered an exciting, touching story, as riotously funny as the first film, but with improved animation and a grand scale story that brought the toys out into the world. It goes down in history as one of the very few sequels to be better than the original.

click to enlarge toy-story-2-2jpg

Some other picks (Key: Won, should've won.):


Sam Mendes – American Beauty

Spike Jonze – Being John Malkovich

Lasse Hallström – The Cider House Rules

Michael Mann – The Insider

M. Night Shyamalan – The Sixth Sense


Kevin Spacey – American Beauty

Denzel Washington – The Hurricane

Russell Crowe – The Insider

Richard Farnsworth – The Straight Story

Sean Penn – Sweet and Lowdown


Hilary Swank – Boys Don't Cry

Annette Bening – American Beauty

Julianne Moore – The End of the Affair

Meryl Streep – Music of the Heart

Janet McTeer – Tumbleweeds


American Beauty – Alan Ball

Being John Malkovich – Charlie Kaufman

Magnolia – Paul Thomas Anderson

The Sixth Sense – M. Night Shyamalan

Topsy-Turvy – Mike Leigh


The Cider House Rules – John Irving

Election – Alexander Payne and Jim Taylor

The Green Mile – Frank Darabont

The Insider – Michael Mann and Eric Roth

The Talented Mr. Ripley – Anthony Minghella

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

We welcome readers to submit letters regarding articles and content in Orlando Weekly. Letters should be a minimum of 150 words, refer to content that has appeared on Orlando Weekly, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.

Email us at

Orlando Weekly works for you, and your support is essential.

Our small but mighty local team works tirelessly to bring you high-quality, uncensored news and cultural coverage of Central Florida.

Unlike many newspapers, ours is free – and we'd like to keep it that way, because we believe, now more than ever, everyone deserves access to accurate, independent coverage of their community.

Whether it's a one-time acknowledgement of this article or an ongoing pledge, your support helps keep Orlando’s true free press free.


Never miss a beat

Sign Up Now

Subscribe now to get the latest news delivered right to your inbox.

Read the Digital Print Issue

April 7, 2021

View more issues


© 2021 Orlando Weekly

Website powered by Foundation