HELP US KEEP REPORTING. DONATE TO ORLANDO WEEKLY PRESS CLUB.

Friday, May 21, 1999

Superficial but bloody

Movie: Black Mask

Posted on Fri, May 21, 1999 at 4:00 AM

**1/2
Our Rating: 2.50

There is one intriguing statement that producer Tsui Hark ("A Better Tomorrow") makes about "Black Mask." "Love," he says, "is very difficult to express in Chinese culture, so in my films I like to have a romantic touch where non-humans look for love."

With the nostalgic movements of a subjective camera, Wong Kar-Wai and John Woo have solved this "difficulty." But director Daniel Lee ("What Price Survival") has neither Woo's talent for stylized violence, nor the poetic soul of Wong Kar-Wai, so -- at its best -- "Black Mask" is nothing but a series of spectacular (and quite graphic) fight scenes interrupted by awkward moments of emotional impasse.

But, after all, that's what the fans want to see: blood squirting out of the bad guy's nose; new and exciting weaponry -- which, in this case includes a huge demolition ball and lethal compact discs thrown with superhuman precision; seductive female agents in skimpy outfits; death on inline skates.

As always, the story works as a rather loose frame for the perilous encounters between the Black Mask and his numerous enemies. Tsui (Jet Li of "Lethal Weapon 4") escapes from the 701 Squad, an elite military organization which takes pride in its supersoldiers, medically enhanced fighters devoid of physical or emotional pain. Back in mainland China, Tsui tries to lead a normal life -- as a librarian! -- but since the past never really dies, Tsui is soon confronted with violent choices which turn him into the Black Mask, a cartoonish character with superheroic tendencies.

To enhance the dramatic qualities of the hero, the screenwriters introduce a theme borrowed from Woo's "Killer": a strong friendship between the Black Mask and a police officer whose life is in constant danger. But since quick-on-his-feet Jet Li is no Chow Yun-Fat, the connection between the two men is sketchy and superficial, nothing more than a humble plot device.

Tags:

We welcome readers to submit letters regarding articles and content in Orlando Weekly. Letters should be a minimum of 150 words, refer to content that has appeared on Orlando Weekly, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.

Email us at feedback@orlandoweekly.com.

Orlando Weekly works for you, and your support is essential.

Our small but mighty local team works tirelessly to bring you high-quality, uncensored news and cultural coverage of Central Florida.

Unlike many newspapers, ours is free – and we'd like to keep it that way, because we believe, now more than ever, everyone deserves access to accurate, independent coverage of their community.

Whether it's a one-time acknowledgement of this article or an ongoing pledge, your support helps keep Orlando’s true free press free.

Newsletters

Never miss a beat

Sign Up Now

Subscribe now to get the latest news delivered right to your inbox.

Read the Digital Print Issue

September 16, 2020

View more issues

Calendar

© 2020 Orlando Weekly

Website powered by Foundation