As the city’s most established annual festival, FMF has long become synonymous with major label business. But rather than topple with that crumbling paradigm, the organizers this year made some seismic and, frankly, surprising shake-ups. First, they ditched the headliners because the fallacy of paying big bucks for washed-up names finally sunk in. Then they got back to refocusing on unsigned, mostly indigenous talent. Finally, and most notably, they made the shows free, thereby removing all barriers to what this is all supposed to be about: the music.
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